dimanche, mars 31, 2013

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lovely map by
Millo Antonio from an isolario
of the Mediterranean.

In the collection
of Britain’s national Maritime museum

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Wen Xu / Poème Montagne




Traduit de l'américain par Samuel Rochery
paru dans 751 issue 5
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" 1 is probably 2
2 is probably 3
Therefore, 1 is probably 3
1 is indeed 2
2 is indeed 3
Therefore, 1 is indeed 3
1 is 2 enough
2 is 3 enough
Therefore, 1 is 3 enough
1 is certainly 2
2 is certainly 3
Therefore, 1 is certainly 3
1 is occasionally 2
2 is occasionally 3
Therefore, 1 is occasionally 3
1 saw 2
2 saw 3
Therefore, 1 saw 3
1 was 2
2 was 3
Therefore, 1 was 3
1 is waiting on 2
2 is waiting on 3
Therefore, 1 is waiting on 3
1 is perhaps 2
2 is perhaps 3
Therefore, 1 is perhaps 3
1 likes 2
2 likes 3
Therefore, 1 likes 3
1 walked with 2
2 walked with 3
Therefore, 1 walked with 3
1 imagined 2
2 imagined 3
Therefore, 1 imagined 3
1 is meaner than 2
2 is meaner than 3
However, 3is downright evil next to 1
1 has no relation with 2
2 has no relation with 3
Therefore, 1 has no relation to 3
1 misunderstands 2
2 misunderstands 3
Therefore, 1 misunderstands 3
Is 1 really 2?
Is 2 really 3?
Therefore, is 1 really 3?
1 is/has 2
2 is/has 3
Therefore, 1 is/has 3
1 might be 2
2 might be 3
Therefore, 1 might be 3
1 is seemingly 2
2 is seemingly 3
Therefore, 1 is seemingly 3
Is 1 really 2, I wonder?
Is 2 really 3, I wonder?
Therefore, is 1 really 3, I wonder? Come on, tell me!
1 thinks it is 2
2 thinks it is 3
In other words, 1 thinks it is 3
1 is a famous singer-actress in 2’s eyes
2 is a famous singer-actress in 3’s eyes
Therefore, 1 is a famous singer-actress in 3’s eyes
1 is treating 2 as a problem
2 is treating 3 as a problem
Therefore, 1 is treating 3 as a problem
1 alone is 2
2 alone is 3
Therefore, 1 alone is 3
Well, of course, 1 is 2
Well, of course, 2 is 3
Therefore, well, of course, 1 is 3
1 and 2 don’t understand
2 and 3 don’t understand
Therefore, 1 and 3 don’t understand
1 could have been 2
2 could have been 3
Therefore, 1 could have been 3
1 finds 2 despicable
2 finds 3 despicable
Therefore, 1 finds 3 despicable
1 is probably really 2
2 is probably really 3
So 1 is probably really 3
1 repeats 2
2 repeats 3
Therefore, 1 repeats 3
1 is the reverse of 2
2 is the reverse of 3
Therefore, 1 is the reverse of 3, right?
1 only understands 2
2 only understands 3
Therefore, 1 only understands 3
1 also understands 2
2 also understands 3
Therefore, 1 also understands 3
1 doesn’t understand anyone but 2
2 doesn’t understand anyone but 3
Therefore, 1 doesn’t understand anyone but 3
1 is not different than 2
2 is not different than 3
Therefore, 1 is not different than 3
1 does not understand 2
2 does not understand 3
Therefore, 1 does not understand 3
1 is 2, ain’t it?
2 is 3 ain’t it?
So, 1 has gotta be 3, right!
Well, of course 1 is 2!
Well, of course 2 is 3!
So, well, of course 1 is 3!
1 is always totally 2
2 is always totally 3
Therefore, 1 is always 3 (LOL)
1 is 2’s lover
2 is 3’s lover
Therefore, 1 is 3’s lover
1 slugged 2
2 slugged 3
So 1 hauled off and slugged 3
1 is born from 2
2 is born from 3
Therefore, 1 is born from 3
1 is a figment of 2’s imagination
2 is a figment of 3’s imagination
Therefore, 1 is a figment of 3’s imagination
1 took 2 by surprise
2 took 3 by surprise
However, 3 took 1 by surprise
1 wants to be 2
2 wants to be 3
Therefore, 1 wants to be 3
1 is sometimes 2
2 is sometimes 3
Therefore, 1 is sometimes 3
Surprised, 1 is 2
Surprised, 2 is 3
Therefore, surprised, 1 is 3
1 says to 2
2 says to 3
So 1 says to 3
1 is smoking 2
2 is smoking 3
Therefore, 1 is smoking 3
1 is 2, don’t ya think?
2 is 3, don’t ya think?
So 1 is 3, don’t ya think?
Could 1 be 2?
Could 2 be 3?
So how could 1 possibly be 3?
1 is more numerous than 2
2 is more numerous than 3
Therefore, 1 is more numerous than 3
1 might not be 2
2 might not be 3
So 1 might not be 3
1 is whispering with 2
2 is whispering with 3
Therefore, 1 is whispering with 3
The 2 that was a 1 is a 3
The 3 that was a 2 is a 1
Therefore, the 1 that was a 3 is a 2
I don’t know if it’s 1 or 2
I don’t know if it’s 2 or 3
So I don’t know if it could be 1 or 3
1 is at war with 2
2 is at war with 3
Therefore, 1 is at war with 3
1 is in front of 2
2 is in front of 3
Therefore, 1 is in front of 3
1 feels sorry toward 2
2 feels sorry toward 3
Therefore, 1 feels sorry toward 3
1 is not necessarily 2
2 is not necessarily 3
Therefore, 1 is not necessarily 3
1 is the subject of 2’s vicious rumors
2 is the subject of 3’s vicious rumors
Therefore, 1 is the subject of 3’s vicious rumors
1 also likes 2
2 also likes 3
Therefore, 1 also likes 3
1 thinks 2 has talent as a poet
2 thinks 3 has talent as a poet
Therefore, 1 thinks 3 has talent as a poet
1 thinks of 2 as 3
2 thinks of 3 as 1
Therefore, 3 thinks of 1 as 2
"

“Logic Poems” by Tanaka Atsusuke (trans. by Jeffrey Angles)
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particule #18

alpha

petite parcelle d'hostie tombée
dans le calice





particule #19

affirmative

qui subsiste toujours et qui apprend
continuellement





particule #20

de l'empirisme

de l'expérience soit externe
soit interne

loin des années


















particule #21

tout s'écoule

nous sommes transportés
loin

immortel comme en larmes




particule #22

maïeutique

écoutez prêtez l'oreille
des livres essentiels
ont commencé de se réveiller








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blanc le jour est blanc le jour blanc le jour est blanc
blanc le jour est blanc le jour blanc le jour est blanc
blanc le jour est blanc le jour blanc le jour est blanc
blanc le jour est blanc le jour blanc le jour est blanc
blanc le jour est blanc le jour blanc le jour est blanc
blanc le jour est blanc le jour blanc le jour est blanc
blanc le jour est blanc le jour blanc le jour est blanc
blanc le jour est blanc le jour blanc le jour est blanc
blanc le jour est blanc le jour blanc le jour est blanc












L.A.Photographies mars 2013
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Matthew Brandt





LAKES AND RESERVOIRS















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vide

ciel

atmosphère

espace

point






il est représenté par un point

le bindu








ils ont attendu
plus de 1000 ans avant de sentir
le besoin de distinguer
une place
vacante
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Ne désespérez jamais. Faites infuser davantage.
Henri Michaux , Face aux verrous.
Du "Dao" originel
du commencement du réel
des signes célestes
des formes terrestres
des règles saisonnières
de l'examen des choses obscures
des esprits essentiels
de la chaîne originelle
de l'art du maître
des évaluations fallacieuses
de l'équivalence des moeurs
des résonances du "Dao"
de l'inconstance des choses
des paroles probantes
de l'utilisation des armes
montagne de propos
forêt de propos
du monde des hommes
du devoir de se cultiver
de la synthèse ultime


"ô le plus violent paradis"

Libellés

" " * & 12 14 3X3 4 5 64 64 fleurs de montagne 8 80fleurs A.a.H A.L. A.R7 A1 A2 A3 A4 A5 A6 A7 A8 A9 AB Aboulafia Abruzzo Actis Adrénaline Agenda AgnèsMartin Agrafe et boite Air du temps Alan Davies Albiach Alchimie Alechinsky Alferi Alina Reyes Amande Anaphore Anaximandre André Breton André du Bouchet André Velter Andy Goldsworthy animation Annick Ranvier Annonciations Antin David AP Aphaïa Aram Saroyan Arbres Arp Arseguel Art sacré ARTHAUD Ashbery Auxméry Avec Avent B B.Celerier Bachmann Bandeaux Barry Lopez Barthes Bashô Bataille Battala Beaufortain Beckett Benedetto Benveniste Bergounioux Bhattacharya Bibliothèques Bimot bio BioMobiles Biopsies Bishop Bivouac Blackburn Blanc Blanchot Blaser Blau Duplessis Bleu Bochner boisflotté bord de terre Borges Bouddha Bozier Briciole Broodthaers Bryen Butor C C.C C.Olson café Campo Cantos Captures Carl Andre carnet Carson Carte postale Cartes et globes Casas cavernes Cazier ce qui est cequej'aime Cerbelaud cercles Cerf Cézanne Champs Chants et Poésies Char Chaton Chemins ChenZhen Chladni Choeur Choisir Chômei Chose Christian Dotremont christo Chu-Ta Ciel Ciel profond Cioran citations Claude Favre Claude Simon Cole collages Collines Côme Corbeau Cortazar Cravan Creeley Cummings cut Cut 1 CyT Dada Danse Dao Dates De Vries Deleuze Delillo délires Denis Roche Derrida Déserts Désir Dextre Diable Dickinson Divers Domerg Duchamp Duncan Duvauroux E E.E. E.P. EAIO écart énigme Echenoz échos Echos L.A. Eco Ecosse écritures Edmond Jabès elle Elles Ellul encres et musique Encres et peintures EnSof épiphanies essais Etel Adnan Etna étoile Eucharistie Euler évangile Eventail Exergue F.A. faits FAJ Faune Fayçal feu Films FiniSol Finkielkraut FIVE Flore Foligno Fractales Fragme Fragments François Cheng Fugue Fuji G.C.L. G.Luca Gary Snyder GB GEGO Genji Gif Giovannoni Girard Giroux Gizzi Gleize GMH Gobenceaux Godard Goethe Gongora Grâces Gramm gris Guesdon H H.D. Hadot Haenel haïku Hamish Fulton Hamon Hausmann Hegel Heidegger Henri Michaux Henri Thomas Herbes Heures hexagrammes Hikmet Hillesum Hiroshi Yoshida Hocquard Hölderlin Houellebecq HR. Hubin Huguenin Hymnes orphiques I remember I.P-B. il Illuminations ilya imperceptible Impresses Index Infini Infinitif Insectes installation Internet Irwin Ishihara Issa italiques Ivsic J-P Michel J.J.F.W. J.J.U. Jaccottet Jakobson Jardin JBE Jean jean Daive Jesuis jeu JHN Jirgl John Cage Jouffroy jour jour17 Journal Jours jours17 Juarroz Jullien K.G Kafka Kapoor Kawara Kay Ryan Kenneth White Kerouac Khlebnikov Kiarostami Koons Koshkonong Kosuth KOUA L.D. 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Oppen Oraison Orcia Orwell Oscarine Bosquet P.B.Shelley P.observatoire P48 P99 palimpseste Palmer Paolo Icaro Parant parenthèse parfum Parian Paris Parlant Parménide Paroles particules Pascal Paul Celan Paul Valéry Paysages Pêche peintures numériques L.A. peirce Pennequin Penone Perec performance Pessoa peut-être Ph.Beck Phi Philippe Grand Philippe Sollers Photographes Phrases Pierres Pierrette Bloch Pin Pizarnik Plagiat Platon Pleynet Points Politikos pommes Ponge Prière Promenade Proust Psaumes PUB puiser Qualia quelqu'un Questions Quignard R.G.Lecomte R.M.I R.M.T. Rae Armantrout Range Raphoz Raven RD Refuges et cabanes Renaud Camus René Daumal Revenir Reverdy Rexroth Rey Reznikoff Richard Long Rilke Rimbaud RIP Ristat Rivières Robert Barry Robert Filliou Robert Hainard Robert Lax Rochery Roger Ackling Roman Rome Roses Rothenberg Rothko Roubaud Roud Routes Rouzier Royet-Journoud Rueff Rûmî Ruscha Ryner Ryoko Sekiguchi s S.Tesson sa vie Saigyo Sam Francis Samivel Sangral Sans Titre Santoka Sator Savitzkaya Sculptures Sculptures Photographies L.A. 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